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Quanta - Dec, '91
















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Volume III Issue 5 ISSN 1053-8496 December 1991

+-----------------------+
|Quanta | Articles
|(ISSN 1053-8496) |
| |
|Volume III, Issue 5 | LOOKING AHEAD Daniel K. Appelquist
|December 1991 |
| |
| |
| | Serials
| |
| |
| | EARTH AS AN EXAMPLE Jesse Allen
| |
| |
| | THE HARRISON CHAPTERS Jim Vassilakos
| |
| |
| |
| | Short Fiction
| |
| |
| | THE BABE Jason Snell
|Editor/Tech. Director |
| Daniel K. Appelquist|
| | LEACH MCBUGNUTS IS DEAD William Racicot
|Editorial Assistants |
| Joanne Rosenshein|
| Norman Murray| THE SECOND LAW AND I Josh Ronsen
+-----------------------+

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______________________________________________________________________________

Looking Ahead

Daniel K. Appelquist
______________________________________________________________________________

Hello again everybody -- and a very very merry/happy non-denominational
holiday occurring in the winter season to you all Sorry this issue is being
distributed a bit late, but I've been INCREDIBLY busy lately. The good news
is that I've supposedly completed all of my requirements for my undergraduate
degree. The even better news is that I most probably will have a job starting
in January! And the simply utterly fantastic news is that since this job is
right here at Carnegie Mellon, I'll be able to continue to publish Quanta!!
(And all this in a recession year, no less...)

Some more good news (albeit of a different sort) is that Quanta now has its
first subscriber from Russia. We've had subscribers from `eastern block'
countries before now, but, I believe, this is the first subscriber from
actually within what used to be the Soviet Union. (Well *I* was excited...)

So what have we got lined up for you this issue? For one, Jesse Allen's
three part serial `Earth as an Example' finishes up with this installment.
We've also got new fiction from Jason Snell, editor of IterText, and William
Racicot, both of whom are returning to Quanta after long hiatuses. This issue
is a bit shorter than most, but I think you'll find that the quality of
fiction is high.

Speaking of quality fiction (ahem) I'd like to make a quick plug for my new
story (`A Handful of Dust') which should be appearing in a future issue of
InterText.

Jason Snell has compiled an index of stories and articles which have
appeared in Athene, InterText and Quanta. If you'd like a copy of the index,
send me a note and I'll send it out to you. I'll also try to put it out on
the FTP servers.

My submissions directory is currently getting a bit thin, so I'm once again
asking you (that's right, YOU) to submit material. If you're a writer (or a
potential writer), I urge you to come forward with stories and/or articles. I
can always use more submissions, especially from authors who are new to
Quanta.

There's really not much else to say, except hope you had a good 1991 (God
knows mine could have been better) and have a happy New Year!

______________________________________________________________________________

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______________________________________________________________________________

______________________________________________________________________________

The Babe

Jason Snell

Copyright © 1991
______________________________________________________________________________

The man with the rabbit skins blocked our path as we tried to enter the Kosami
Hotel. He was wearing a torn jacket made of some kind of animal, probably
vat-grown horsehide. Anyone selling rabbit skins on a streetcorner in Osaka
couldn't afford the genuine article.

"Out of my way," I said to him in Japanese, flashing my card. He
immediately stepped back, probably out of fear that I might haul him in for
soliciting. The cards in Osaka don't mention whether you're a detective or a
cop, and that was fine with me -- it was a lot less trouble that way. Most of
the scum in L.A. would see the neon-flashing "Investigator" as an invitation
to either laugh or draw their weapons. Believe me, I preferred it when they
laughed.

As I moved to enter the hotel, the rabbit-skin man immediately confronted
Gehrig. I turned to explain that Gehrig was with me, and shouldn't be
bothered, but Columbia Lou had already scared him away with one wave of his
hand. I've always been envious of people who can do that.

"You think this is where he is?" I asked Gehrig as the Kosami's smudged
plastic doors slid open in front of us. The place smelled dirty -- I couldn't
smell the local stink, but the cheap air freshener in the air let me know that
it must have been fairly putrid.

"The place may have bright lights and moving doors, Ken, but it's still a
cheap hotel. And no matter what century it is, there are only two places to
look if you've lost Babe Ruth: bars and cheap hotels."

The Kosami was both. We made our way for the bar first.

Laurie was there, of course. I had been to the bar at least fifty times
since Matsushita transferred me to Osaka, and she was always there. The first
ten times her appearance reassured me, reminded me of home. Then I was
assigned to work with an American exec. I was astounded when I met her,
because she looked nothing like Laurie. I guess I had begun to think that all
American women looked like hookers -- and they don't, no matter what some of
my Japanese friends say.

After my experience with the American exec, I tried to forget all about
Laurie. She was an American hooker, and that was all. No matter where you are
in Japan, there are always expatriate Americans playing hooker both to company
boys and to Japanese scum with credit to burn and a taste for the exotic.

"Hi, Kenny. Wanna taste of home?" She licked her lips.

"No thanks, Laurie. I need to ask you if you've seen someone around here."

I think she missed what I said entirely, mostly because she had already
focused her attention on Lou.

"Well, who are you?" she asked.

You've got to understand -- no matter what the bizarre surroundings, Lou
Gehrig still looked like he had walked straight out of 1927. We had given him
a modern suit, but the man radiated wholesomeness and purity. His manner made
him seem like a prime target for Laurie: he was an American businessman or
vacationer far from the States and ripe for some down-home pleasure.

He took of his hat -- he had insisted on wearing a hat, don't ask me why --
and nodded his head.

"My name's Lou Gehrig, ma'am. We're looking for a friend of mine named Babe
Ruth."

I pulled the picture I had of Ruth from my pocket and gave it to her. It
had been taken the day before, during the first game of the Matsushita series.
Ruth, wearing an official 1927 New York Yankees baseball uniform, was touching
home plate. He had just homered off Catfish Hunter to defeat the Oakland
Athletics, 6-5. After the game, Ruth disappeared. He never made it back to the
team's hotel.

"He's a fat one, isn't he? I didn't know they let fatties like him play
baseball."

"Mr. Ruth is good with the bat," I assured her.

"Yeah, that's what Shelly said." She handed the picture back to me.

"Shelly? The Marilyn Monroe model?"

"Yeah, that's him. I can't believe that a recon job could be doing better
business than me. Jesus, they took off his dick and moved his fat around a
little, that's all. At least I'm fuckin' real. As advertised."

"Has Shelly seen Mr. Ruth?"

"Seen him? She DID the piglet last night. Said she expected him to be
exhausted after one round, but he kept comin' back, like a boxer."

"Where is she now?"

"He/she's upstairs with a client," Laurie said with contempt. "A Jap.
Little bastards never ask to see his birth certificate, so he takes 'em for
full price. My fuckin' genes should be worth a little more, you know?"

"What's the room number?"

"1530. And be sure to scare the shit out of the John, so he asks for a
refund. Serves Sheldon right."

I thanked her, and Lou and I turned to go.

"Come back now, slugger," she said to Lou. This time, Lou didn't respond.
Despite the 150-year gap, he DID know when to be polite to hookers and when to
ignore them.

"Did she say that Shelly the hooker was a man?" Lou asked as we entered the
elevator.

"Yeah. Reconstructive surgery -- I guess some guys really have a thing
about their dicks, and want 'em gone. Can you believe that? Lots of them end
up as hookers, because it's a great way to reaffirm their newfound womanhood.
They get tired of it after a while and end up doing something respectable,
like being bartenders or marrying decrepit old men for their money."

"This is an incredible world you live in," Gehrig said, and shook his head.

"Not so incredible. There's the same sleaze as before. It's just different
sleaze."

I wasn't really talking to Lou Gehrig, of course, no more than the man that
we were chasing was really George Herman Ruth. But they thought they were, and
for all intents and purposes they acted just like their long-dead
counterparts. I don't know the specifics of how they were created -- it
involves artificial intelligence, chromosome matching, and lots of baseball
nuts doing research into the history of the all-time great baseball teams.

Matsushita, seeing as it owns half the National League and most of the
teams in the Nippon League, decided to throw some of their money behind a
"greatest baseball series of all time" event. So they set their technicians
and research people at work on finding the eight greatest teams of all time,
getting information on all their players, and creating exact replicas.

And they did it. Last night, in the fifth game of the semifinal series,
Babe Ruth -- or his ghost, replica, whatever you want to call it -- hit a home
run to send the 1973 Oakland Athletics (most of whom weren't even born before
Ruth had died) back into the ether from whence they came. Ain't science
something?

"The woman we're going to meet looks exactly like Marilyn Monroe," I told
Gehrig.

"Who?"

"I'm sorry -- I thought you knew who she was. Some Yankee player ended up
marrying her."

"Must've been after my time."

The elevator stopped on the fifteenth floor, and as the door opened we
found ourselves looking right in Shelly's face.

"Shelly, we've got to talk."

"Shit," she said, and pulled something from her purse. It was money. "Here,
take three thousand. Just don't pull me in."

"Shelly, you know I'm no cop. And where the hell did you get money like
this?"

"All of Scarlett's girls have it on 'em, to make sure they don't get into
any trouble with the cops."

The first time I had met Shelly, she had just been a cheap hooker, not much
different from any other. But now she was working for Scarlett -- the
den-mother-meets-madam who controlled half of the city's hookers and a good
portion of its money. Being one of Scarlett's girls carried lots of perks --
including, it seemed, plenty of bribe money to keep the cops away.

"This gentleman and I need your help, Shelly. We're looking for this man."
I took her hand, led her into the elevator, and showed her the picture of
Ruth.

"Oh, him," she said, and rolled up her eyes. "I figured he'd be an easy
one, pay me for more than he could actually handle. But he didn't stop."

"When did you do business with him?"

"Last night, around midnight. He came into the Kosami bar and we had a few
drinks. Then we came upstairs."

"Did he say anything about where he was going after he left you?"

She paused for a moment, pursing her lips in thought.

"It was three or four a.m., and the Kosami bar had closed for the night. He
asked what else might be open that late, and I told him to head for American
Street. Everything's open all night over there."

The door slid open, and we were back in the lobby. I thanked Shelly, and
Lou and I headed for the door.

"You sure I wasn't the Yankee that married her?" he asked me.

"Pretty sure." Gehrig knew his life's history up to 1927, but not beyond.
To the Yankees, it seemed as if they had been sucked through a time machine --
they didn't even know that they were created beings. I'm sure Lou had spoken
to other players from other eras as they stood on first base, next to him, but
I didn't know if they had mentioned what happened to Lou Gehrig after 1927.

If I were one of those players, I certainly wouldn't have said anything. To
this day, there's still a Lou Gehrig's Disease. There are still people who die
slowly as they lose control of their bodies -- just like Gehrig did. I tried
to picture the huge, incredibly strong man in front of me as a uncontrollable
shaking pile of flesh, and couldn't do it.

"Let's go find him, so we can all get back to work," Gehrig said as we
walked out the door. "We've got to get ready for the Giants. The game's
tomorrow, right?"

"Yeah, tomorrow night." The beginning of the All-Time World Series. Great
publicity for Matsushita Corporation -- the Corp. I had to discreetly find
Babe by midnight, or the corp would send out a massive search team for him.
Publicly admitting the loss of one of the ghost players wouldn't reflect well
on my dear Corp, but Babe Ruth had to be there for the opening game. He was
their star, the all-time best baseball player in the baseball series of the
ages.

The Corp preferred that I find him quietly. And considering how well I knew
American Street, I would have no problem doing just that. Or so I hoped.

American Street in Osaka is, well, a laugh. Which isn't to say that it
isn't American -- in fact, I came here quite often, to try and remind myself
of what home was really like.

Every time, it made it even clearer why I didn't miss home that much.

The American was a strip of fast food restaurants, movie theaters, cheap
hotels, a sports memorabilia shop, a couple of soldier-of-fortune weapons
stores -- and lots of Lizard Joints.

Lizard Joints were, economically, the glue that held the American together.
They were incredibly popular to the Japanese. For them, seeing a Lizard show
was the ultimate American experience, without actually going to America.

I avoided them. My memories of growing up in the western United States
included McDonald's, Hollywood movies, the occasional stay in a Holiday Inn,
cheering on the local sports teams, and even occasional bursts of gunfire.

But I never -- not even ONCE -- went to a live show featuring songs like
`My Way', `Night and Day', and The Candy Man'. Nor did I see any Elvis,
Beatles, Michael Jackson, or any other oldies revival show. No singer crooning
ditties while his gut stuck out over the cummerbund of his tuxedo.

Nobody at the Corp in Osaka could believe it, when I told them. "You have
to see it," they said. "It's the best America has to offer!"

And they took me.

I only learned two things from the trip to Sammy's Sinatra-riffic Sensation
In The Heart of American Street. First, I discovered that it was up to me, New
York, New York. About that same time, I learned that I would never go see a
Lizard show again.

"We'll start with the bars," I told Gehrig. "Hopefully we'll find him
soon."

I prayed that George Herman Ruth wasn't downing gin and tonics while
swinging to the groove of `Feelings' as performed by the Jerry Vale Memorial
Orchestra.


"You seen this guy?" I asked Mark, owner of the aptly titled `Mark's
American Bar'.

"Fat guy," Mark said in that funny accent of his.

"So you have seen him?"

"Hell, you can tell from that picture that he's a fat guy. Look, Kenny, you
know that information don't come without a price."

"Here's a thousand for your time," I said, and dropped the coins in his
hand. "Got any leads on him?"

"You guys missed him by about three hours. He was here, all right -- first
he got completely drunk, but then he got hold of some detox pills. Then he
proceeded to get drunk all over again."

"Sounds like our man. Any idea where he went?"

"Look, after he got drunk again, he started playing around with a couple of
local girls. They're hookers, but your fat guy was trying to romance 'em or
something."

"Was there trouble?"

"Nah. They straightened him out. Guess he paid one of 'em, because they
gave him some Randies and then headed for the door."

"Shit. So he bought Randies, and took off with a hooker. Right?"

"Got it." He tapped his watch. "Time's up."

"Look, thanks for your help. Can you call me if you see him again?"

"No way," Mark said. "The babes are Scarlett's. The Randies, too. The
moment they walked out the door, it became Scarlett's territory. You know how
protective she is of her preferred customers."

"You sure a few thousand wouldn't help you forget that fear?"

"Not for that fat-ass, it wouldn't. Didn't much like the looks of him
anyway."

I gave Mark my best `Fuck You' smile. "Let's get out of here," I said.

"I knew he wouldn't help us," Gehrig said as we headed for the door.

"Why?"

"Didn't you hear the accent? He's from Brooklyn. They've always hated the
Yankees."

Outside the bar, he dropped his big right hand onto the top of my shoulder.

"Hold on a second," he said. "Do you mind explaining what all that was
about?"

"What part didn't you get?"

"Well, most of it. Being one of the Babe's teammates teaches you plenty
about hookers and drinking, but... `Randies?' `detox?'"

"Pills," I told him. "Randies are heavy intoxicants, slightly psychedelic,
that also increase sexual drive and potency. Kind of the best of all worlds.
Detox pills are instant sober-ups. Babe probably took a Detox by mistake, and
then popped some Randies to rectify the situation."

"What a world," Gehrig said, shaking his head. "If we had those sober pills
in the '20s, Babe might've hit 70 or 80 home runs a year."

"And if you had Randies in the '20s, Babe wouldn't have hit ANY--"

And then it hit me. Randies were no common street drug. Scarlett's girls
had them because they went with the business. Randied-up Johns could still get
it up. But, like Scarlett's girls, Randies cost large sums of money for even
the smallest of doses.

And none of the baseball players had carried any money.

"Oh, man," I said.

Gehrig looked puzzled.

"If I asked you to buy me a drink, could you?" He shook his head.

"Of course not. I don't have a wallet -- hell, I feel naked without one."

"Right. So where has Babe gotten the money to pay for all the drinks,
drugs, and hookers?"

I HAD hoped we could get him back before he had broken any laws. Now I
just hoped we'd get him back before the skin of the world's greatest batsman
was being peddled on an Osaka streetcorner.


Home base for Scarlett and her girls was a mansion known as -I swear I'm
not kidding -- Tara. And while the hookers didn't resemble any character in
`Gone With the Wind', all of Scarlett's security people looked exactly like
Rhett Butler -- or should I say Clark Gable.

"What do you want?" one of the Gables at the door asked us.

"We need to see Scarlett," I told him. "We're looking for a friend of
ours."

"Scarlett's real busy," the Gable said. "Who should we say is callin'?"

"My name's Ken Nishi," I said. "I'm looking for a man named Babe Ruth."

"Hold on," Gable Number One said, and went inside. Gehrig and I stood
outside with the silent second Gable.

"This Scarlett has identical twin bodyguards?" Gehrig asked me.

"Not quite. The one that just went in is almost two inches shorter than
this one." Lou raised his eyebrows. "I'm a detective. I notice this stuff."

"Are these bodyguards like that Shelly girl, then?"

"The plumbing's different -- but otherwise, yes."

"I'm sorry," said the first Gable as he emerged from the front door.
"Scarlet can't be disturbed right now. I suggest you call again tomorrow."

"Sir," Gehrig began, "would you be so kind as to let us go inside and find
our friend?"

The Gable smiled widely. "I'm sorry, friend -- but business is business. No
visitors while work is in session."

I turned away from the Gables and began walking down the steps that led
down to street level.

"Come on, Lou," I said loudly. When we reached the street, I added: "We'll
be back. Let's go get us some hookers."

We found a couple of Scarlett's girls back at Mark's American -- the
problem was getting them interested in us. Scarlett's trained her girls to be
VERY selective about who they'll bring back to Tara. The first thing we had to
do was make sure that the girls were first-string -- only the cream of the
crop are based in Tara. The dregs, like Shelly, work at cheap hotels around
town.

After we found out that Sara and Viv were Scarlett's top-of-the line, we
had to convince them that we had money. The first-string ladies are extremely
expensive, and the purchase of a few Randies is also required.

We managed to pass our John Interview by showing them my credit card (with
billions in Matsushita money backing it) and claiming to be two of the
baseball players from the series. Sara bought Gehrig's story, mostly because
he actually WAS what he claimed to be. As for me, well, I told Viv I was
legendary Japanese slugger Saduharo Oh.

I guess my credit was good enough that Viv wasn't going to question my
veracity. I do look fairly Japanese, though about half my family is
European-American -- but when it comes to my clothing, body language, and the
way I talk, I'm about as UN-Japanese as you can get.

After they took my money, they handed each of us two small green pills --
Randies. I turned to look at Gehrig, who was staring into the palm of his
hand. He made a small gulping noise.

I smiled at him and dry-swallowed the Randies. I have to give it to the guy
-- he had a lot of guts. He imitated my actions as soon as I had finished
swallowing.

It was a couple blocks to Tara, so we ended up walking there from Mark's.
As I stepped out of the bar and onto the dirty sidewalks of the American, I
felt the whole district slide around me. I could tell that the Randies were
kicking in, though their psychedelic effects were mild compared to the drugs
I'd taken in the past. And I wasn't really afraid of getting out of control --
if I needed it, I had a couple of detoxes in the bottom of my pocket and a gun
hidden against the small of my back.

The randies also had an effect on my libido, and so I suddenly began to
take more notice of Viv. She was reconstituted-gorgeous, every man's dream and
a plastic surgeon's reality. Though I like to think of myself as a pretty good
detective, I didn't know whether she was a natural male or female. Some people
can take one look at a person's neck and figure out whether they've had their
Adam's Apple removed or not.

My hand slid around her back and I could feel the curve of her hip
underneath the strange material her clothes were made out of. It felt almost
alive, more of a second skin than actual clothing. Then again, it could've
just been the Randies talking.

Gehrig, meanwhile, was squeezing Sara's breasts and mumbling to himself. I
didn't suppose the old boy had much experience with drugs like these, and the
double-whammy of sexual drive and hallucinations had to be more powerful than
anything that existed in Gehrig's time.

I decided to let him enjoy it while it lasted.

It didn't take us very long to reach Tara. As we neared the front door, a
skinseller approached us. It looked like the same one who had been in front of
the Kosami earlier.

"Buy skin," he said. "Real rabbit!"

This time, under the influence of Randies, I was a bit nicer to the little
man. Rather than ignoring him, I paused briefly to say hello to the cute bunny
skin and pet it a little.

"Nice rabbit you've got there," I told the man. Then Viv pulled me away
from him. It was time to enter Tara.

I blinked as I looked up at the mansion's facade. It seemed incredibly
huge, aristocratic, and completely out-of-place amidst the cheap neon and
plastic crap that made up the rest of the American.

"My, my," I said, "I do believe the south has risen again."

We went inside.


"Ready, slugger?" Viv asked me. I have to admit, the Randies were certainly
having an effect. I put my hands on her waist, and then slid them up to her
breasts. From there, I moved them to on her cheeks, as I began kissing her.
Then I slid one of my hands to the nape of her neck and gently stuck a
sedative patch to it.

Twenty seconds later, she was unconscious. Two minutes later, Gehrig and I
had popped our detoxes and were searching room by room for Ruth.

We found the Sultan of Swat half-clothed and face down on a bed a few doors
down from our rooms. One of Scarlett's girls was sitting on a chair in the
corner, polishing her fingernails.

"What do you want?" she asked. "Can't you see I've got a customer?"

"A busy one, too," Gehrig said.

"Look, Scarlett doesn't allow more than one client per girl. And I've got
mine. So you'd better leave."

"He's a friend of ours," I told her. "We've come to take him back home."

"Oh, no you don't," she said. "He's paid up. I'm supposed to keep him here
until he walks himself out."

"Who asked you to do that?" I asked.

"Scarlett. She told me the fat guy had some big money behind him, and that
I should try to get as much of it out of him as possible."

"So you'd keep him here, charging him for your services and for drugs until
he finally left?"

"Or until his money ran out, yeah. Why not?"

"Like I said, sister... we've come to take him home." I nodded to Gehrig,
who went over to the bed and began shaking Ruth awake.

"Stop it!" the girl shouted. Before she could get protest too loudly, I
walked over to her and slapped a sedative derm on her neck.

"Hey!" she shouted. "What the hell do you think you're doing? What's this
fucking thing you stuck to me? What did you do to me? Help! I can'
stan'up..."

Scarlett's girl hit the ground, completely unconscious.

Babe Ruth was slowly coming to, under the kind hand of Lou Gehrig.

"Come on, Babe... time to get up... got to get back before the next game,"
Gehrig said to the massive home-run king.

"You done this before?" I asked Gehrig.

"Too many times to remember. Like I said, Ken... the time and place may
have changed, but the Babe's still the same man and a whorehouse is still a
whorehouse."

Gehrig and I pulled the Babe to his feet and began leading him out of
Tara. We were about 10 feet from the back door when an alarm went off. I heard
a woman screaming from upstairs -- it was Viv.

"He fuckin' knocked me out!" she yelled.

Four Clark Gables were suddenly running toward us, two from the front door
and two more from the hallway that led to the rest of the building.

"Down!" I yelled to Gehrig and the Babe, and we all fell to the ground. I
pulled my gun, hoping that I could get all four of the Gables before they got
us.

"Frankly, my dear," I said, pulled the trigger, and scored a direct hit on
the head of Gable Number One. "I don't-" and Gable Two went down, "give a-"
and Gable three went down, "damn-"

And then Gable Number Four's gun shattered my pistol hand. The gun flew
across the floor, but I didn't really notice. I was screaming so loud that I
can't even remember being knocked out when the Gable kicked me in the head.


When I woke up, I was in a Matsushita hospital bed. I obviously hadn't been
killed by Scarlett -- in fact, she had turned me back over to the Corp.

There was nothing I could do during the next few days I lay in that
hospital bed but stare at the TV -- so I watched the all-time world series in
three dimensions. It was as exciting as the Corp had hoped it would be, and
they no doubt made a killing on the entire affair. The series went to seven
games, just as they had hoped. Maximizing profits was the key.

I was amazed the series was that close -- I figured the Yankees would win
in a cakewalk. But they were actually down three games to two going into game
six. Just as the corp had hoped, the game ended dramatically -- Babe Ruth,
looking just as healthy as he always seemed to look on those old-time movie
reels, doubled off the top of the centerfield wall in the top of the ninth to
score Lou Gehrig and put the Yankees ahead to stay. That hit sent the
championship of all time to a seventh game. And to think that just a few days
before, Gehrig and I were carrying a half-naked and stoned out of his mind
Babe out of a local whorehouse.

The day of the seventh game, I finally found out how I had managed to come
out of my adventure alive, and how Babe and Lou had managed to get back in
order to play in the series.

My first visitor was a mid-range Matsushita executive named Mariko, and she
sure didn't seem happy to see me. In fact, when she walked in the door and saw
that I was conscious, she began to scowl. She also refused to make eye contact
with me.

"Well, Nishi, at least you managed to get Ruth back without any bad
publicity," she said.

No publicity? I had blown away three reincarnations of Rhett Butler in the
middle of the biggest brothel in Osaka, and there had been no publicity?

"But you also cost the corporation a mint, almost all of it unauthorized.
You paid for hookers and Randies for both yourself and your assistant, and we
had to pay Scarlett the madame for all the services Ruth paid for while he was
out."

"The Corp had to pay for that?"

"Sure did. Scarlett knew that we were behind the series, and she knew
perfectly well who their fat customer was. So they tried to wring as much
money out of the corporation as possible."

"Well, I DID manage to limit how much time the Babe spent at Tara," I told
her.

"True. But you also managed to kill two of her bodyguards and seriously
wounded a third. We had to pay for his medical bills, plus yours. Scarlett
also demanded a very large sum of money to keep it all away from the police."

"How large?"

"Extremely large. That's all I'm allowed to say."

"Shit," I said. Once a Corp worker, always a Corp worker. Matsushita would
never fire me -- they'd just move me to some ridiculous location like
Antarctica and have me gutting fish and throwing their heads into a bucket.

"Don't worry about it. The corporation's got plenty of money, and we got
Ruth back in time to have him play in the series. Nothing's going to happen to
you, this time. Just don't let ANYTHING like this happen again."

That was all Mariko had to say. I never heard another word from the Corp
about the incident.

But Mariko wasn't my only guest. When she left the room, Gehrig came in.
Right behind him was Babe Ruth himself.

"You're looking a lot better, Ken," were the first words out of Gehrig's
mouth.

"Yeah, lookin' real good," Ruth said.

"Thanks. Hey, good luck tonight."

Ruth smiled his famous dimpled, fat-cheeked smile.

"And thanks for pullin' me out of that dive the other day," Ruth said.
"I've got hold of some mean stuff in my time, but those pills really take the
cake."

"Look, Ken," Gehrig started, "we can't stay long. I practically had to beg
on my knees before that Mariko woman agreed to bring us here. I just wanted to
thank you for all you've done for us. You did a great job."

"It's the first time anyone's gotten shot up for me," Ruth said with a
laugh. "If there's anything I can do for you, just name it."

"One thing, Babe," I said. "Hit one out for me tonight."

He smiled again. "You got it, kid."

Whoever made this Ruth character sure got the recipe right. Not only did
they make him so well that he ran away from the team just for the sake of his
vices, but even his heroic actions were dead-on. Ruth hit me a homer, all
right. It won the series for the Yankees in the bottom of the ninth inning.

The next day, the simulations of the 1927 Yankees were sent back into the
void from which they came. They were melted down or erased or whatever you do
with computer simulations of real people.

So I had risked my life for these artificial people and the integrity of my
corporation. And after all that, while I lay in a hospital bed, the people I
had saved were wiped from existence. The only real souvenir I had of the whole
event was my shattered hand.

Well, I didn't just have the hand. The day after the series, as those
players were being dispatched back into oblivion, a Matsushita courier brought
me a special package. Inside was the winning baseball, signed by the real live
Babe Ruth and Lou Gehrig replicas.

It was enough for me.

______________________________________________________________________________

Jason Snell is a senior at the University of California, San Diego, majoring
in Communication and minoring in Literature/Writing. He is the editor in chief
of the `UCSD Guardian' newspaper, as well as being the editor of `InterText'
magazine. Jason will graduate from UCSD in March, and plans to enter a
graduate journalism school in the fall.

[email protected]
______________________________________________________________________________

______________________________________________________________________________

Earth as an Example

Chapter 3

Jesse Allen

Copyright © 1991
______________________________________________________________________________

Maxel space station was one of the products of the war. Though small by
Federal standards, the city in the sky regularly housed ten thousand. Unlike
its cousins orbiting inhabited planets, Maxel circled no primary. It merely
hung in space, the nearest star over three parsecs away. With no populous
planets nearby, it was not a commercial stopover. No profit-minded interest
had ever been shown in the station. But the war had demanded that there be
piers where ships could rest without the normal long haul on ion drive
necessary near stars. Once a short distance away, ships departing Maxel
simply kicked straight into hyperdrive. A day out of port, they could be a
full parsec away, fully ten thousand times the distance covered in the same
time on ion drive. Without the lengthy climb out of a stellar gravitational
well, and clear of the denser interplanetary medium, ships trimmed days, even
weeks, off their voyage time.

The Nikaljuk was docked at one of the outermost service corridors, a long
flexible tube extending out to the one exit hatch in use. The freighter
looked out of place among the sleek war ships of the Federal Navy, their
shining steel hulls bristling with the weapons of their trade. Dr. Drucker
and Captain Huston looked out on the scene from a large window overlooking the
quay. Behind them, a number of officers milled about, two concentrating on a
game board projected on the table in front of them.

Suddenly, the stars dimmed as the window darkened. A few kilometres out
from the station, a ship cut in its hyperdrive, the bright light of its engine
thrust drowning out everything in its dazzling brilliance. But the window had
adjusted its filtering appropriately: The bright exhaust tubes could be
watched without blinking. The ship pulled away, rapidly picking up speed as
it dwindled away into the distance. As it streaked off into the night sky,
the stars gradually reappeared as the window returned to its usual
transparency.

"John Huston!" called out one of the game players, suddenly looking up from
the holographic playing cube in front of him. "What an unexpected pleasure!
What brings you to this corner of the Union?"

Captain Huston and Dr. Drucker turned from the window to face the speaker.
He was a tall, thin man in his middle thirties with short blonde hair, dressed
in the dark, close fitting uniform of a navy officer.

"Byron Parry!" exclaimed Captain Huston, moving over to shake hands with
the player. "Good to see you again. Dr. Drucker, this is Byron Parry from
the Brach Y Pwull, a friend of mine from academy days. Byron, Dr. Drucker,
chief archaeologist of Museum."

Captain Huston looked at Byron's neckline for a moment, noting the four
silver clusters on the neckline.

"Not a Captain any more? Congratulations!" he remarked.

"Thanks," replied Byron. "I got the promotion to Commander three months
ago. And these days, I'm on the Rodina. Dr. Drucker, glad to meet you. I
recall your name from the ruckus back when the historians were stirring up
Parliament to fund Museum."

"My involvement with those affairs was slight," replied Dr. Drucker
modestly. "Politics is not my field, though I do think Parliament did make
the right decision in the end."

"Indeed," said Byron. "I've been meaning to visit the place for some time.
My kids have been twice already with school and have come home screaming with
pleasure and running circles around me in History both times. How about you,
John? What have you been up to?"

"I'm still a mere captain," replied John, "but I have managed to get off
the escort roster. I'm working on the Nikaljuk, a light freighter, assisting
Dr. Drucker and his team on a research project. A strange occupation for a
Navy captain in the middle of a war, but orders are orders."

"Since you're not going to introduce me," said the player across the board,
"it IS your turn." She spoke with a thick accent that Captain Huston did not
recognize, swallowing